Telco Motion-ettes of Halloween: History and Collector’s Guide

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Overview:

Photograph of Telco Box ArtBefore the late 1980s, Halloween decorating was mostly comprised of putting up ceramic jack-o’-lanterns, cardboard cutouts of ghosts, and the occasional lighted blow mold.  But, in 1986, one company developed an idea that forever changed the way haunters decorated their homes, for that was the year when Telco Creations introduced a revolutionary concept to the witching season: animation.  Nowadays, Americans take for granted that they can walk into any store to purchase an animatronic figure to “frighten up” their All Hallows’ displays.  Before Telco, that would have been impossible.  Telco Creations was renowned for its innovative Christmas decorations, and it only seemed an appropriate next step to tackle Halloween.  Thus, the Original Telco Motion-ettes of Halloween were born: the Witch, the Ghost, and the Scarecrow.  The line immediately expanded to include the Monster and the Vampire characters, as well as the Skeleton in the top hat.  Each tabletop figure stood 24” tall, sized to be reminiscent of the motorized holiday window displays for which department stores had always been known.  They featured head and arm movement, as well as illumination, and were powered by electricity.

Telco Bat _BigScare

By 1987, Telco Creations had introduced its line-up of groovy ghouls nationwide in retailers like  Woolworth and Kmart.  By 1988, the catalog was even more expansive, even including smaller (18″), battery-operated versions of the figures, each of which had lighted eyes and a spooky sounds.  (An intermediate line of figures followed.) The characteristics of the larger Motion-ettes morphed over time to include additional features like lighted heads and “life-like” audio.  In 1992, Telco joined forces with Universal Studios to create officially licensed monster Motion-ettes.  After this release, the larger, electric figures were phased out.  However, the smaller, battery-operated Halloween figures remained in stores through the end of the century.  This guide is intended to help you understand the development of the Motion-ette line and identify certain figures you may have seen.  If your question isn’t answered here, it may be addressed in our Telco Halloween Motion-ettes FAQ.  You may also be interested in our Fair Market Value Guide based upon our ten-year observations.

Editor’s Note:  The images on this page are archival images, many of which are over 25 years old.  In some cases, there are obvious defects in our particular copies of the images.  The Big Scare has done its best to present the best quality Telco stock, promotional, and catalog images for your reference, so as to provide you with the most accurate depiction of the products.  All information and images on this page are for educational purposes.

The Original Motion-ettes of Halloween

The first Telco Halloween figures are uniquely different from those that followed.  While all early Telco figures featured electric power, motion, and an accessory (usually illuminated), the first wave included figures with single-arm motion as opposed to the more common double-arm movement.  The figures were activated by a red button on the base, as opposed to the more common cord rotary switch.  Furthermore, the figures had a glossier, shinier finish.

Their accessories were also less standardized and, in the case of the Monster, more elegant.  Unlike later versions, the first Monster came equipped with a metal lantern.  Other differences include a more Karloffian head-sculpt and a lighter costume.  The other figure that experienced a major overhaul from its initial incarnation was the Ghost.  The first release looked like the classic “bed sheet” ghoul.  Later on, this spook received a glowing jack-o’-lantern head.  Its lighted skull accessory was also replaced with a cat (which was illuminated in some figures and not in others).  The Scarecrow later received a set of plastic arms and a sculpted head, though the cloth version returned for a brief stint in 1989.  The Skeleton only experienced a change of accessories.  For the most part, the design of the original Witch remained unchanged throughout the entire run of the line, as did that of the original Vampire.  While materials changed and additional features were added, these two were the most steadfast figures in the whole series, though it should be noted that the Vampire was given a range of accessories in addition to the traditional skull and later received a “glowing head.”

Awful Accessories

The Telco series of animated figures was unique in the fact that its figures had a variety of accessories.  The most commonly used accessories were skulls, pumpkins, plastic lanterns, and cats.  However, broomsticks, canes, pitchforks, and crows/ravens were also added to certain figures.  The most unique accessories would have to be the Witch’s crystal ball and the hard plastic bats and cobras (snakes).  The bat accessories were actually modeled after Telco’s own animated bat figure.

Chilling Changes

Devil Regular Head Sculpt - Telco Stock ImageBy the time 1988 rolled around, Telco had given most of its original characters makeovers, and it added new designs to the mix.  The Vampire Bat, “Wolfman” (Werewolf), Gorilla, and Devil all made their debuts in the 1988 catalog.  Each of these figures included a feature new to 24″ Motion-ettes: lighted eyes.  Depending on the character, the eyes either glowed red or orange.  In addition, Kmart carried an exclusive Witch (with an alternate head sculpt) and the Phantom of the Opera that year.  Both were distributed to other retailers the following year.  1988 was also the year that Telco introduced a feature that would later become a staple of the Halloween line: glowing heads.  The first figure to feature a fully illuminated head was the newly-designed Ghost Motion-ette.  His plastic jack-o’-lantern head turned side to side, while glowing bright orange.

From Bug Eyes to Glowing Heads: Telco Grows Up

 By 1989, Telco continued to expand its character offerings, introducing new characters such as the “Flying Wicked Witch” and a Grim Reaper.  And while the original six characters remained unaltered from the previous year’s makeover, the 1988 additions each received a new treatment.

The g1989 MAD DEVILlo1989 MAD WEREWOLFwing eyes on the Devil, Wolfman, and Vampire Bat were all replaced with sculpted eyes, though the resulting “bug eyes” made the characters look “crazed” and “mad,” making these versions less popular than the former glowing-eyed figures and far more rare on the secondary market.  While the glowing-eyed beasts can be purchased rather easily, the bug-eyed monsters don’t show up that often, and, when they do, they generally sell for 1.5 to 2 times the amount of their lighted-eye counterparts.  The Devil and Wolfman later received glowing heads.

In fact, in 1990, all of the Halloween Motion-ettes debuted with fully illuminated heads.  To make the new technology work, most of the figures’ heads were re-cast in lighter-colored plastic.  The Vampire and the Phantom of the Opera were now extremely pale, the Monster was now molded in yellow, and the Wolfman became green.  (This green “Wolfman” was later renamed the “Beast Man.”)  The Witch saw no change, which made the feature rather ineffective.  An alternate Witch also received the “glow” treatment.  Additionally, a new character was added to the catalog, this one based on the 1925 Universal picture, The Phantom of the Opera.  The figure was named “Red Death,” after the sequence in the film and the character in the Edgar Allan Poe short story.  By 1991, Telco streamlined its output, reducing the Halloween offerings to the glowing versions of the Witch, Vampire, Monster, and the Grim Reaper character (which now adopted the “Skeleton” moniker).  In its final effort to innovate, Telco added “life-like” sounds to its 24″ line.  The audio (usually cackling, laughing, or moaning) could be controlled by a switch on the base of the figures.

Inspirations and Imitations

The muse behind the designs of the Halloween figures has always been a bit of a mystery, but it is clear that Telco drew inspiration from  images of the classic monsters and assorted Halloween toys that were available at the time.  For example, comparing the head sculpts of the Telco Motion-ettes to 1980s Halloween masks is an interesting exercise.  The Devil sculpt has a lot in common with the “Be Something Studios” Lucifer mask from 1980.   The argument could be made for other characters as well (albeit with different mask companies).  But no one will ever really know if Halloween masks were the references used by the Telco team.  What is clear, though, is that designs of the Monster, Vampire, and Phantom all appear to be based on the characters portrayed by Boris Karloff, Christopher Lee, and Lon Chaney, Sr. respectively, making these innovative figures the first animated Halloween tributes to Horror films.

Because Telco’s idea was so successful, other companies immediately started production on their own lines of animated Halloween figures, all with the same basic features, many with eerily similar character designs, some with totally unique takes.   Competitors included Witchtime, Topstone, Rennoc (now Santa’s Best), EPI, and, of course, Gemmy — the current powerhouse in Halloween animation. Additional companies joined the holiday animation war, but they went as quickly as they came.

Something Different

By 1991, the market was so saturated with Halloween animation, Telco decided that it had to do something different.  The following year, it joined forces with Universal City Studios to create an official line of Motion-ettes modeled after the Universal Studios Monsters.  These Motion-ettes were the first ever animated Halloween figures to be licensed by a movie studio, thus inspiring a trend that would forever change Halloween decorating.

18" Universal Frankenstein (Alternate Coloring) Box ArtThe initial release of the Universal Monsters included the four main characters: Dracula, Frankenstein’s Monster, the Wolf Man, and the Creature from the Black Lagoon.  All of the characters received official head sculpts and costumes.  They were produced in both electric 21″ (instead of the regular 24″) and battery-operated 18″ formats (There were also 16″ variants).  Unlike their generic predecessors, they did not have lighted accessories, but they did include sound.  They were widely available at Wal-Mart, Kroger, and Meijer stores, as well as smaller retailers.  After the success of the first line, the Bride of Frankenstein and the Mummy were added; though, by this point, Telco’s focus had shifted to the more economical battery-operated 18″ line, making the last two difficult to come by in the larger size.  The 21″ version of the Mummy is the rarest of all Motion-ette figures, though he has surfaced on the secondary market.  It should also be noted that there were two versions of the Frankenstein Monster produced.  The first release came with a bright green paint application, while the second was released in a pasty, grayish green color.

Moving Forward

With so much competition, Telco’s decision to focus on its smaller, battery-operated line was a smart one and kept the Halloween figures in stores through the end of the 1990s.  For the most part, the character offerings remained limited.  After the Universal line, Telco returned to the traditional generic characters.  The 18″ line-up included the Vampire, the Monster, the Skeleton, and two versions of the Witch.  (To read more about the small line and the intermediate line, click here.)  Telco also released a few unique takes on these characters during this time: a Witch rising from a cauldron and a Grim Reaper rising from a chair.  The latter featured some of the most technologically advanced animation in Halloween decorating to that point.  It also featured a unique soundtrack with spoken dialogue and sound effects, a huge improvement over the previous “life-like” sound.  Telco folded shortly after the start of the new century due to factory problems, but its legacy lives on and today’s Halloween animatronic manufacturers owe Telco everything for paving the way for their success.

Have a question that wasn’t addressed in this guide?  Check out our Telco Halloween Motion-ettes FAQ!

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Universal Monsters Hawthorne Village Collection Guide

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The following does not constitute an endorsement of any product or retailer.   It is for information purposes only.

In the mid-2000s, the Bradford Exchange acquired the license to the Universal Studios Monsters and began to produce highly detailed collectibles based upon these timeless characters and their respective films.  The company created a train set (featuring images of the Monsters), as well as miniature figurines, and, of course, a haunted holiday village comprised of several famous buildings and structures from the Universal Monster movies.

The collection, part of the Hawthorne Village, could be obtained by purchasing a subscription, where a new 7″ building and scale figurine would be shipped every month.  With the help of our Internet friends who own the collection, The Big Scare has compiled the following collector’s guide.  Special thanks to Ms. Mapes for sharing photos of her collection with The Big Scare, and for allowing us to snap some of her very spooky scenes during our visit.

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THE BUILDINGS

The following list is the sum total of the buildings issued in the Universal Monster Collection.  They are listed in order of their release:

Dr. Frankenstein’s Lab with Frankenstein Monster figure
Dracula’s Castle with Count Dracula figure
The Mummy’s Tomb with Kharis figure
The Creature’s Black Lagoon with Gill Man figure
The Wolf Man’s Lair with Wolf Man figure
Frankenstein’s Burning Windmill with Monster and Henry Frankenstein figure
The Bride of Frankenstein’s Castle with Bride of Frankenstein figure
The Phantom’s Paris Opera House with Phantom figure
The Invisible Man’s Inn with Invisible Man figure
Transylvania Train Station with Train Conductor figure
The Mummy’s Museum with Imhotep figure
Frankenstein’s Cottage with Frankenstein and Maria figure
Burial Site  (Frankenstein) with Fritz figure
Gothic Cathedral  with Lurking Dracula figure
Fortune Tellar Campsite with Bela the Gypsy figure
The Creature’s Haunted Rita with Dr. Reed figure
House Of Dracula with Dr. Edelman figure
Castle Frankenstein with Monster on rock figure
Ritual Chamber  with Boiling Pot figure
The Invisible Man’s Demise with Policeman figure
The Creature’s Excavation Site with Excavation figure
The Wolf Man’s Mansion with mustached Talbot figure
 

DEVIL IN THE DETAILS

The first house in the collection is Frankenstein’s Laboratory.  Like all the buildings, it measures about 7″ in height.  The design is partially inspired by the lab as seen in the 1931 classic, but it takes influences from other famous movie structures as well.  Bats and torches adorn the walls.  And Fritz, Frankenstein’s mad assistant, can be seen peeking out from the window.

The second piece in the series is Dracula’s Castle.  This one is almost completely inspired by the castle seen in the 1931 movie.  It is very detailed.  There are evil trees surrounding the property, vines climbing the walls, and dozens of bats – including some encircling the topmost tower.

The next building in the collection is The Mummy’s Tomb.  This one is very neat, because it has a whole area where you can display figures on the actual piece.  You can position characters just outside the entrance to the tomb and all along the walkway.  Of course, that makes for great scenes, especially when Kharis is involved!  This one even has torches that light up!

As you can tell by the photos, the Hawthorne Village pieces are very detailed, most of that detail comes from the delicate sculpting.  Every shingle has texture.  Every stone in the wall has depth.  This is what sets these pieces apart from similar villages from the likes of Department 56 and Lemax.  The paint schemes, however, fall somewhere between those of  the detail-oriented Department 56 villages and the mass-produced application of Lemax.  But they aren’t really anything to complain about, considering that these buildings are actually smaller than your average Lemax or Department 56 piece.  Taking that into consideration, they are actually fairly good.  The pieces don’t give off too much light, but that is where exterior ambiance lighting comes into play.  And the Universal Monsters buildings lend themselves wonderfully to that!

The Wolf Man’s Lair is the fifth structure in the collection.  This one takes a lot of liberties, but it is one of the most desired of the collection nonetheless.  It comes complete with its own full moon and an interior courtyard that is perfect for making little scenes with the monster accessories.

The seventh piece in the series is the Bride of Frankenstein’s Castle.  This one lends itself well to the Gothic theme of the village.  With its series of chimneys and vine-covered walls, it manages to combine the classy with the creepy, just like the Bride herself!  This piece comes along with its own Bride of Frankenstein figure, striking a very familiar pose.

The eighth structure in the collection is the very forbidding Phantom’s Paris Opera House.  This building has the most unique design of all and is very detailed.  It has a ton of windows, but the “stone” figures which adorn the roof are probably the most eye-catching decorations on this one!

Issue number nine is The Invisible Man’s Inn.  It is probably one of the most-detailed in the collection.  The accessory that comes along with it, the Invisible Man himself, is also one of the best accessories in this village collection.  He’s not all there – you can see through his hand!

The final piece we will be showcasing comes from later on in the collection.  It is called the “Haunted Rita,” based on the boat of the same name in Creature from the Black Lagoon.  Coming in at issue number sixteen, it is probably one of the most popular pieces – if only because it is one of the most iconic images from any Universal Monster film.  Can you spot the Gill Man’s claw coming from out of the water?

VILLAGE ACCESSORY SETS

While the buildings themselves each came with a “free” accessory, the Bradford Exchange offered a separate line filled with additional figures and scene-setters.  There were thirteen sets of figures released in total.  Each set included two to four figures.  The following list details the contents of each set.

1.  It’s Alive! – Dr. Frankenstein, Fritz, and the Monster rising from his slab
2.    Dracula Rises – Dracula and victim, Dracula rising from his coffin, Dracula hiding in the garden
3.    Mummy’s Curse – Imhotep, Mummy in Sarcophagus, Ankh-es-en-amon and Imhotep
4.    Black Lagoon – Captain Lucas, Dr. Reed, Creature in the water, and Kay on the rocks
5.    Beware the Full Moon – Maleva in the wagon and the Wolf Man trapped in the forest
6.    Frankenstein’s Town Mob – Man with dogs, Villagers with torches, and the Monster
7.    Bride of Frankenstein – Dr. Frankenstein, Dr. Pretorius, and the Bride in bandages
8.    Phantom of the Opera – Phantom Fleeing, Phantom and Christine in boat, and Christine at tomb
9.    Invisible Man – Invisible Man in lab, Invisible Man outside, Villagers
10.  Uncovering Artifacts – Various Archaeologists, “tools,” and “maps”
11.  Dracula’s Vampires – Count Dracula in the catacombs and his three brides
12.  Grave Robbers – Fritz with cart, Elizabeth, Dr. Waldman, and Priest
13.  Searching for the Creature – Archaeologists and “Creature Claw Rock”

The figures are only a few inches tall, but they are jam-packed with detail. Take a look for yourself.

Universal Studios Monsters Village Frankenstein Scene

Thank you, Ms. Mapes for sharing your collection with all of us!

If you enjoyed this page, check out the other sections of the site for more articles about haunted villages, decorations, and, of course, the world famous Universal Studios Monsters!

Sunday Matinee: ”Horror of Dracula” Revisited

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It had been two years since I last sat down to watch the Hammer classic Horror of Dracula (1958).  It is a film I owned on VHS and never upgraded — not because I didn’t like the movie.  Rather, because it was a film I always considered to be “just good enough.”  It was “just good enough” to replay at Halloween every year or so, “just good enough” to enjoy as a time-filler.  In other words, it never made my essential viewing list, quite unlike the original Dracula (1931) or Dracula: Prince of Darkness (1966).  Upon re-watching it, I am unsure why.  The film itself is rather well done.  It takes the main story of the novel, condenses it, and creates an enjoyable product that has some truly memorable moments —  to name one: the best Dracula death sequence in the history of film!

But there’s something about it that causes me to take pause, to not fully love it as many fans of the genre do.  Part of the problem is I had always viewed the title character in this version as little more than a glorified prop.  By now, some of you are shocked and ready to delete this site from your bookmarks.  But, allow me to explain.  I love Christopher Lee, and I love his interpretation of Count Dracula.  He is menacing, strong, powerful, and downright evil.  But, in this film, he has very little screen-time.  And while the main action revolves around him, we don’t see him that much.  This film is very much a Peter Cushing movie — and I love Cushing, especially as Van Helsing; but there’s just something about the uneven screentime given the Count that doesn’t sit well with my Dracula-loving heart.

After really thinking about it, the lack of Dracula actually makes this film closer to the novel than it would otherwise appear.  Bram Stoker never featured his main character all that much, so why should this second film adaptation be any different?  And I suppose that is why so many people give it a pass and automatically relegate it to “must see” status.  Don’t misunderstand.  Dracula is extremely effective the few minutes he is on screen – his fangs, his fierce expressions, the blood.  The whole characterization marked a new chapter in the monster’s history.  But with so little of him and so much of the rather bland Arthur Holmwood, the film had always been relegated to my stack of lesser-viewed films.

Another reason I disliked the film was because of its rather claustrophobic settings.  Nothing is grand or luxurious about this movie’s sets.  Nothing convinces me that this demon Count is at all wealthy or that he lives in a castle.  (The exterior shot of Dracula’s home doesn’t help change my mind.)  It’s as if the director, Terence Fisher, never wanted his audience to experience a delusion of the Count’s grandeur.  Nearly every scene has a very confined feel, and it is not to the film’s benefit.  Unlike Universal’s rather grand approach  to the material, complete with sweeping staircases and vast catacombs, Hammer’s version is small-scale in every sense of the word.  And while this sometimes works well in the visual medium (think TV’s Dark Shadows), the close quarters here detract more than they add.

So what made me change my mind about Horror of Dracula?  Two things:  First, the fact that this is virtually the first and  last truly decent picture where Lee and Cushing face off  in their most iconic Horror roles.  Second: the iconography the film helped to create.  This is the film in which Dracula sprouted his first real pair of fangs.  This is the film that added a whole new level of Horror to the vampire legend.  This is where blood and red eyes got their start.  Despite all of its drawbacks, this is the one vampire film since Bela Lugosi’s original Dracula that actually helped redefine the genre.  And so while my preference in the Hammer realm will always fall towards Dracula: Prince of Darkness (More on this in a week), Horror of Dracula has finally earned its rightful place on my “must-see” Halloween viewing list.

4.5 bats out of 5.

Halloween Home Entertainment Preview: House of Dark Shadows, Night of Dark Shadows

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Editor’s Note:  1/10/12 This post has been updated with a note about the image.

Today is our final installment of our Halloween Home Entertainment Preview.  Be sure to check out our previous updates for all of the great deals on disc this Halloween season!

The News:

House of Dark Shadows starring Jonathan Frid, Grayson Hall, Kathryn Leigh Scott and Joan Bennett will be released on October 30.  Night of Dark Shadows starring David Selby, Lara Parker and Kate Jackson will debut on the same date.

The Views:

Many of you have probably heard that the original films based on the popular supernatural TV series, Dark Shadows, will be coming to DVD and Blu-Ray disc for the first time on October 30.  And while this is great news in and of itself, it isn’t as wonderful as it seems.  While House of Dark Shadows, the more popular of the two movies, is a must-have release for your collection, the release of its sequel, Night of Dark Shadows, is rather disappointing — not because Night is a bad film, but because Warner Bros. has decided not to release it in its fully-restored state.

Night of Dark Shadows was originally a rather lengthy picture, but MGM, the studio that originally released it, had it cut down significantly right before its debut.  What is left of the movie may seem garbled or confusing to many.  But fans still enjoy it for what it is.

For years now, one Darren Gross has been working on intensive restoration efforts for both Dark Shadows films.  And he managed to recover a good amount of lost footage from Night of Dark Shadows in the hopes that it could eventually be released in a form closer to the original vision of Dan Curtis.  For reasons which have not been disclosed, Warner Bros. turned down the project and we are left with the standard release, which, to many is rather confusing and incoherent.  Regardless, it is good to see the film make its disc debut, along with House of Dark Shadows, but it’s upsetting that we won’t get to see all of the hard work put into the restoration.

*Note: The “Ad” image in this post is fan-created.

Halloween Home Entertainment Preview: Pet Sematary, Mad Monster Party, Meet Frankenstein, & More!

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 This week, we have a complete lineup of the “must-have” home entertainment releases of the season.  Check out our round-up below, and return tomorrow for our take on the upcoming release of the original Dark Shadows feature films on Blu-Ray and DVD.

The News:

The 1989 adaptation of the Stephen King classic, Pet Sematary is coming to Blu-Ray on October 2!  The film features Fred Gwynne, best known for portraying the lovable Herman Munster on the classic monster sitcom, The Munsters.  Gwynne’s character is not quite as lovable in this, but his inner-Herman certainly shines through (at times).  Over all, in our opinion, the story is both frightening and compelling, and we don’t think the classic theme by The Ramones can be beat…  Let us know your thoughts.  And read more about the film here.

We also wanted to note that there were a number of Halloween Blu-Ray releases that occurred earlier this month that we didn’t have a chance to cover.  You can check out our round-up below:

The Rankin/Bass animated classic Mad Monster Party was released on Blu-Ray disc for the first time on September 4.  It’s a Blu-Ray/DVD combo pack, so you will receive both discs if you should decide to pick it up.

The Disney Halloween cult classic Hocus-Pocus was also released on Blu-Ray disc on September 4.  It also comes in a Blu-Ray/DVD combo pack.

In addition, yesterday, we mentioned that Meet Frankenstein was not included in the Universal Monsters Blu-Ray collection, but the terrific film is available on Blu-Ray disc.  It came out on August 28, another release in celebration of the Universal Studios centennial.  It stars Bud Abbott, Lou Costello, Bela Lugosi and Lon Chaney Jr.  The film follows the comedic duo and their hilarious encounter with Count Dracula, whose sinister plans are thwarted by the Wolf Man and an out-of-control Frankenstein Monster.

You can purchase all of these Blu-Ray releases online, and some of them may pop up in a store near you!  So be on the look-out!

And now we want to know… What are your favorite Halloween films?  Will you be picking them up on Blu-Ray?  Share your thoughts in the comments section!

*The pictures on this page are not from any film.   They were taken by THE BIG SCARE.

Halloween Home Entertainment Preview: Universal Classic Monsters: The Essential Collection

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 This week, we have a complete lineup of the “must-have” home entertainment releases of the season.

The News:

Every so often Universal re-releases the classic Monster movies on home video.  A decade ago, they released an “essential collection” on DVD.  Half a decade ago, they re-released the titles and added additional ones in the Legacy Series.  Now, for the first time, the studio is releasing the classic Universal Studios Monsters on Blu-Ray Disc.  The collection features 9 films and eight classic monsters.  The movies featured in this collection are Dracula (1931), Dracula – The Spanish Version (1931), Frankenstein (1931), Bride of Frankenstein, The Wolf Man (1941), The Mummy (1932), The Invisible Man (1933), The Phantom of the Opera (1943) and Creature from the Black Lagoon.  Bonus features are included. The eight disc set comes along with a 48 page book featuring behind-the-scenes photographs, and will be released on October 2.  This collection is unique because it features Creature from the Black Lagoon in 3D, a first for the Monsters on disc.  It should be interesting to see how that particular feature works when this set is released.  It can be pre-ordered here.

The Views:

So just how good are these movies anyway?

This collection contains nearly all of the greatest monster movies ever made.  From Bride of Frankenstein to Creature from the Black Lagoon, they are almost all here.  The only major ones missing are Phantom of the Opera (1925),  Son of Frankenstein (1939) and Meet Frankenstein (1948).   Bela Lugosi’s Dracula, Boris Karloff’s Frankenstein Monster and Lon Chaney’s Wolf Man are all present; and whether this is your first time seeing them or your ninety-first time, we’re sure you will find yourself chilled to the bone .  We’re a little biased here, but we’re giving most of the films in this collection 5 Electrodes out of 5 Electrodes.  The major exception would be the version of The Phantom of the Opera included in this collection.  It is not the Lon Chaney original.  Rather, it is the remake starring Claude Rains.  And while Rains is fantastic, the rest of the movie is very humdrum — a little too much opera, not enough Phantom.  But the rest of the films are truly essential to the collection of any genre fan.

*The pictures on this page are of the 12″ Figures produced by Sideshow Collectibles and are not from any film.   They were taken by THE BIG SCARE.

Universal Monsters Week | New Monster Model Kits

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The following does not constitute an endorsement of any product or retailer.   It is for information purposes only.

This week on The Big Scare, we will be highlighting where you can track down some cool Halloween merchandise featuring our favorite fiends of Filmland.

There have been a number of exciting Monster Models released in recent years.  And the trend continues this fall with a slew of monsters and their mates making the ”scream scene!”  The Moebius Models Bride of Frankenstein kit is now available to purchase. The 1:8 scale Creature from the Black Lagoon kit with victim, sculpted by Adam Dougherty, will be debuting in the next few weeks.  The deluxe Bela Lugosi Dracula model kit with victim (based on the original stage play) is also set to debut in September.  So grab some glue and paints and get ready to create your own monster scenes this Halloween!